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Oxford Poetry 1960From Fairie to the Somme: 1910-1913 1914 1915 1916 1917 1918 1919 1920 1921 1922 1923 Back to Oxford Poetry 1959 * Forward to Oxford Poetry Vol 1 No 1 (Friday 8 May 1970) * Home Published by Fantasy Press 28pp A landmark issue, for the melancholy reason of being the last of the old-style Oxford Poetry volumes, but also interesting for the editors' then unprecedented decision not to include any of their own work. In compensation, they write a preface along the following lines: "Both book and poems could have been a lot larger, could have been made more pretentious to scale and to importance, if we hadn't decided originally to exclude both the 'dry stream' of sub-Movement and the 'wet stream' of sub-Beat: the two idioms which seem to have snapped up between them nine-tenths of the energy and perhaps sometimes even part of the talent of present Oxford poets. ... Anyone reading this anthology could doubtless pick out signs of having read Larkin, or of Corso, without any difficulty; anyone reading through the rejects (an unlikely situation, for which he can be grateful) could find very very bad poems which show no trace of having read either - nor of anything else." Dark green cover, with black logo vaguely built on a music notation staff.
Contents
Julian Mitchell: O Where You Go; Dead Clown; The Briefing; As Long As; Dom Moraes: Another Summer; From The Horse's Mouth; Anthony Podlecki: Not At Home; David Pryce-Jones: A Lake At Dusk; Mario Rinvolucri: Black Bread; Roger Smith: The Island; In Another Land; Barry Taylor: Staying in the City; Not Aloud; The Cynic; Socialist; Edward Thomas: The Clearness of Morning; Only the warm, high-headed lover knows; Bill Tydeman: Village Wedding; Song; Christopher Williams: The Regrets; Near Myth; Copyright Oxford Poetry 2000. Pictured above: Detail from "Parnassus" by Nicholas Poussin |