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Oxford Poetry 1917From Fairie to the Somme: 1910-1913 1914 1915 1916 1917 1918 1919 1920 1921 1922 1923 Back to Oxford Poetry 1916 * Forward to Oxford Poetry 1918 * Home Published by Blackwell's 60pp
Contents
P. Bloomfield: Second-Best; Muriel St Clare Byrne, as M. St Clare Byrne: Favete Linguis; J. E. A. Carver: Tintagil; Eugene Parker Chase: On Sussex Downs; Wilfred Rowland Childe, as W. R. Childe: The Lost Abbot of Gloucester; The Gothic Rose; Gerald H. Crow: Ad Dominam Suam Mariam Virginem; Desiderio Desideravi; Humility; D. N. Dalglish: Otmoor; Eric Dickinson, as E. C. Dickinson: A Child's Voice; River Song; E. R. Dodds: Measure; C. J. Druce: The Meeting; T. W. Earp: The Canal; Solitude; U. Ellis-Fermor: Sed Miles...; Joan Evans: The Hamadryad; Flora Forster: Ducklington; Lewis Gielgud, as L. Gielgud: Summer Devilry; Robert Graves: Double Red Daisies; Dead Cow Farm; Russell Green: De Mundo; Mercy Harvey: Song; H. C. Harwood: Call of the Dead; Return; E. E. St L. Hill: Diffidence; Aldous Huxley, as A. L. Huxley: L'Après-Midi d'un Faune (From the French of Stéphane Mallarmé); Stéphane Mallarmé: L'Après-Midi d'un Faune [translated Aldous Huxley]; C. R. Jury: Love; Sonnet; Chaman Lall: "Thirty Years After"; Margaret Leigh, as M. Leigh: Epitaph on Two Lovers; Epitaph on an Aristocrat Dying Under a Democracy; E. H. W. Meyerstein: The Finger (to R. T.); London; Evan Morgan: In Olden Days (An Allegory); A Serenade; F. St V. Morris: Last Poem; Robert Nichols: The Man of Honour; Elizabeth Rendall: My Soul is an Infanta (From the French of Albert Samain); Albert Samain: My Soul is an Infanta [translated Elizabeth Rendall]; Dorothy L. Sayers, as D. L. Sayers: Fair Erembours (A Song of the Web. French, XII c.); Helen Simpson, as H. Simpson: "There are Quantities of Things..."; Eric Earnshaw Smith, as E. E. Smith: The Voyage; L. A. G. Strong: The Mad Man; The Bait-Digger's Son; D. E. A. Wallace: Sonnet in Contempt of Death; Leo Ward: The Last Communion; Copyright Oxford Poetry 2000. Pictured above: Detail from "Parnassus" by Nicholas Poussin |