Oxford Poetry Vol I No 1 (June 1983)

From Fairie to the Somme: 1910-1913 1914 1915 1916 1917 1918 1919 1920 1921 1922 1923
Into the Waste Land: 1924 1925 1926 1927 1928 1929 1930 1931 1932
New Age: 1936 1937
War and Movement: 1942-1943 1946:No 1 1946:No 2 1947 1948 1949 1950 1951 1952
The Fantasy: 1953 1954 1955 1956 1957 1959 1960
"Fortnightly": 1970:No 1 1970:No 2 1970:No 3
Magazine: I.1 I.2 I.3 II.1 II.2 II.3 III.1 III.2 III.3 IV.1 IV.2 IV.3
Fin de siècle: V.1 V.2 V.3 VI.1 VI.2 VI.3 VII.1 VII.2 VII.3 VIII.1 VIII.2 VIII.3 IX.1 IX.2
Rebound: X.1 X.2 X.3 XI.1

Back to Oxford Poetry Vol 1 No 3 (Monday 19 October 1970) * Forward to Oxford Poetry Vol I No 2 (Autumn 1983) * Home


Published by Magdalen College 32pp
edited by Mick Imlah, Nicholas Jenkins, Elise Paschen, Nicola Richards
no preface

With this issue Oxford Poetry was finally relaunched on a viable basis, as a three-times-annual magazine: between 1983 and 1996 it published 32 to 48-page stapled issues, with pages numbered so that each volume of three issues formed one book. Advertising from local booksellers (Waterfield's, for instance, but especially Blackwell's, who have been loyal to the magazine ever since) helped to sustain the finances. This issue also saw the first Oxford Poetry interview, with Gavin Ewart: with one exception every subsequent issue has included at least one interview. Of the editors, Mick Imlah is now poetry editor of the TLS, Nicholas Jenkins is a Professor of English specialising in Auden and Elise Paschen is secretary of the Poetry Society of America.


Contents

Elise Paschen: Oklahoma Home; Down the Bluff; The Front Room; Photograph; Salt Marsh;

Gavin Ewart: Interview; I.M. Anthony Blunt ob. March 26, 1983: Portsea Hall, Paddington; A Possible Updated Football Conceit of John Donne; Embarrassing Televised Incident in Latin American Dictatorship, 1983;

Peter McDonald: Trust; Glass Houses;

Bernard O'Donoghue: Morning in Beara (for Canon Matt Keane);

Amy Boesky: The Groundhog;

Tom Paulin: An Interview by Bernard O'Donoghue;

David Constantine: Don Giovanni: a sonnet sequence (Act 2 Scene 18; Elvira; Zerlina; Zerlina; Leporello; Donn' Elvira; Leporello to Donn' Elvira); Watching for Dolphins; Mary Magdalene and the Sun;

John Fuller: Unsigned review of his book 'The Beautiful Inventions';

Andrew Motion: Unsigned review of his book 'Secret Narratives';


Copyright Oxford Poetry 2000. Pictured above: Detail from "Parnassus" by Nicholas Poussin