Oxford Poetry Vol VII No 2 (Summer 1993)

From Fairie to the Somme: 1910-1913 1914 1915 1916 1917 1918 1919 1920 1921 1922 1923
Into the Waste Land: 1924 1925 1926 1927 1928 1929 1930 1931 1932
New Age: 1936 1937
War and Movement: 1942-1943 1946:No 1 1946:No 2 1947 1948 1949 1950 1951 1952
The Fantasy: 1953 1954 1955 1956 1957 1959 1960
"Fortnightly": 1970:No 1 1970:No 2 1970:No 3
Magazine: I.1 I.2 I.3 II.1 II.2 II.3 III.1 III.2 III.3 IV.1 IV.2 IV.3
Fin de siècle: V.1 V.2 V.3 VI.1 VI.2 VI.3 VII.1 VII.2 VII.3 VIII.1 VIII.2 VIII.3 IX.1 IX.2
Rebound: X.1 X.2 X.3 XI.1

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Published by Magdalen College 36pp
edited by Sinéad Garrigan, Kate Reeves, Ian Samson
no preface

Books received; notes on contributors.

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Contents

John Redmond: War and Peace; High Table;

Elizabeth James: Leaving the E.R.M.; A Riddle;

Robert Cole: Apprentice (Topkapi);

Susan Kelly: Disembodied;

Kathleen Jamie: Autonomies and Regions: an Interview by Caroline Blyth;

Mark Wormald(2): Self Timing;

Michael O'Siadhail: Two After Dark;

Tim Kendall: The Poetry of Architecture: a review of "Shining Brow" by Paul Muldoon;

Tim Hancock: Eidothee;

J. D. Shivers: Public;

Stephanie Norgate: Nights of Decadence;

Ian Caws: The Assessor;

Sinéad Garrigan: A Bigger Picture: a review of "The Lie of Horizons" by Desmond Graham;

Paul Bavister: Woke up when;

Scott Anderson: Circus;

Susan Wicks: Annunciation;

Peter Robinson: The Cold;

Karen Leeder: Judge's report on the Susan Kirsch Translation Competition;

Susan Kirsch: Watt III | Mudflats III [translated by Iain Galbraith: winning entry in Translation Competition];

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Copyright Oxford Poetry 2000. Pictured above: Detail from "Parnassus" by Nicholas Poussin